Theatr Clwyd TYFU|GROW Writers in Residence Scheme, 2020: Applications Open!

Theatr Clwyd’s Writer in Residence Scheme
Part of TYFU | GROW
Our Creative Development Programme

Generously supported by the Gladstone’s Library
 

Applications open until Friday 25 October 2019

We are a home for writers in Wales, offering the time and space to write within a community of fellow artists without the pressure of ‘showing’ or producing something. We offer residencies connected to our in-house productions so that writers can get to know other artists working here, spend time observing rehearsals and develop ideas in a supportive environment. The Writer in Residence Scheme is generously supported by Gladstone’s Library.

What does the attachment include?

This is a wonderful opportunity to spend some time writing and reflecting on your practice, for us to get to know each other and, if it’s helpful, to get feedback on your work. There is no obligation on you to produce anything for us at the end of the attachment and equally no obligation on us to produce the work. Our hope is that these attachments will form the beginning of a relationship with Theatr Clwyd and a network of writers who can call our theatre home.

In 2020, we will be offering six residencies connected to our in-house productions. Two writers will be on attachment with us at the same time for each of the periods below:

Productions and Dates:

Milky Peaks by Seiriol Davies – Tuesday 10 – Saturday 21 March 2020
Gladstone’s Writing Workshop – Saturday 14 September 2020

For the Grace of You by Alan Harris – Monday 6 April – Friday 17 April 2020
Gladstone’s Writing Workshop – Saturday 11 April 2020

Project Hush by Matthew Bulgo with Manon Wyn Jones and Yasuro Ito,
based on an original idea by Bridget Keehan – Monday 14 – Friday 25 September 2020
Gladstone’s Writing Workshop – Sunday 20 September 2020

Please note that this is a developmental attachment – we want to develop long term relationships with writers and this is one of several ways in which we are doing that. The attachment is about you, rather than what you write while you are here.

We are particularly keen to hear from playwrights working in the Welsh Language.

How to apply

If you are interested, please send an email to  [email protected] by 5pm on Friday 25 October 2019.

The email should include:

  • A CV of your work as a writer and of other employment, training and education
  • A brief description of where you currently are as a writer
  • A brief description of what you’d like to use the residency to work on
  • Two pages of a script that you’ve written
  • Confirmation of your availability and which production you would prefer to be attached to, and why

We welcome applications in Welsh and English.

Please note that the dates of the residencies cannot be changed as rooms at Gladstone’s Library are in high demand and our rehearsal weeks are confirmed. If you cannot join us for the full period, we will not be able to offer you a residency.

We will notify all applicants in due course. You will receive more information after submitting your application. 

 

 

2018 Poetry iBook is out now

Disability Arts Cymru’s Poetry Competition 2018 iBook is now available for download

Absolutely free, £0.00 is all it costs to download this colourful iBook, full of the images from 2018’s annual exhibition and poetry competition brought together into one publication. 

The iBook can be read on any iPad or Mac computer. If you do not have access to either of these, you can download the whole thing as a pdf file instead. 

This is the 4th year we have produced this publication, the other 3 are also available on the iBooks store. Why not check them all out and take the inspiration to enter the next poetry competition which will be based on this year’s theme of ‘Trust’ – keep an eye out for the opening of that competition on here, or sign up as a member to get a weekly update on everything we are doing and more. Membership is free to disabled artists living in Wales and at a small cost for non-disabled artists and organisations. 

Have a look at the slides below for screenshot of this year’s book, then use the download links at the bottom of the page to grab your free copy.

Downloads

Can be viewed:

  • On iPad with iBook 2 or later and iOS 5 or later
  • On iPhone with iOS 8.4 or later
  • On a Mac with OS X 10.9 (Mavericks) or later

Download pdf

Can be viewed on just about anything

Call for Creative Work

Creative Manifesto, Translating Chronic Pain

Emerging from the Creative Manifesto, I invite submissions of ‘FLASH’ ILLNESS WRITING, short-form creative work 

– which expresses a moment or fragment of experience of persistent pain;
 – which takes either the perspective of a person experiencing the pain or the perspective of a witness (carer or healthcare professional);
 – which captures any dimension of experience – physical, emotional, social, economic, institutional, medical, spiritual, or creative;
 – which communicates in any emotional register, positive or negative;
 – and which can be shared and used by others to try and communicate the vivid, contradictory, and diverse realities of living with chronic pain.

The parameters:
– short-form creative writing, from 5 to 150 words,
 – in any form (e.g. prose or poetry; autobiography, fiction, or a blend);
 – optionally can be accompanied by a single image (photograph or artwork);
 can also take the form of a single comic ‘panel’ or short sequence, to fit on a single screen;
 – the fragments/moments/glimpses to be shared online with attribution, under Creative Commons Licensing (BY-NC) 4.0.
 – authors can choose to be anonymous, pseudonymous or named.

Deadline:  I will be adding submissions to the project throughout 2019,  but the earlier the submission the more likely it is to receive wider exposure, so early submission is encouraged.

Please see the Creative Manifesto and Information for Participants, and you are welcome to submit work here.

MANIFESTO

SINCE people living with persistent pain often suffer invisibility and struggle for legitimacy and credibility;
since long-term pain is often wrongly assumed to be a temporary and unnatural state;
since pain experience is diverse and must be understood intersectionally  (through interweaved categories such as gender, race, sexuality, and class);
since pain’s causes can be cryptic, multiple, personal, social, environmental, transgenerational, and hidden;
since pain science is neither widely understood or well-funded, and requires wider dissemination;
since pain experience exceeds the language of medicalisation;
since pain undercuts illusions of human autonomy and self-sufficiency, showing that all people are vulnerable and interdependent;
since pain may impair the ability to work, in which case those living with it may be wrongly seen as not living a ‘useful’ life;
since witnessing pain makes profound claims on – and poses challenges for – carers, family members, and healthcare practitioners;
and since chronic pain affects every dimension of life …

 … I call for creative work which engages these invisibilities, these lacunae, these intersections – moments in public or in shadows, in loneliness or connection.

YET – pain experience may not lend itself to established forms of either illness narration or survivorship story:
the experience may lack an ending, where resolution is reached;
it may lack a beginning, its causes hidden;
it may break the positivity imperative – to be hopeful, a warrior, a survivor, a meaning-finder;
it may be incommunicable, resisting representation, yet may simultaneously engender language;
it may be a story not (only) of a personal journey, but also of wider social calamities and inequalities, both contemporary and transgenerational;
it may resist plot, instead being a thing of fragments, glimpses, and moments.

The brevity of the works produced by our network and their public availability will also make the resource immediately usable by a range of groups: pain charities can use the material in outreach and patient support, medical educators can use the material to enhance student engagement alongside clinical work, people working in healthcare policy can draw on the resource to give rich, humanising detail, and carers and members of the public can draw on the resource to help in understanding the experience of people living with chronic pain.

Literature Wales

Paid Personal Development Opportunity for a Poet

Closing date for applications: 5pm Wednesday 21st November

Literature Wales is offering an opportunity for a poet new to the field of running workshops to co-lead a project for 11-14 year olds alongside an experienced workshop facilitator, in the South Powys area.

The successful candidate will have the opportunity to shadow and be mentored, as well as gain experience in jointly planning a project (details of pay and terms below). This will be a bilingual (Welsh and English) project, but we welcome applications from poets who only work in one language.

There will be a total of two days of workshops in a secondary school in South Powys (December-January 2019; dates to be confirmed), and one additional day in Cardiff Bay on 19 February to present the work to an audience.

This presentation will form part of an event organised by Literature Wales at the Senedd in Cardiff Bay on Tuesday 19 February 2019: A Day of Reflection on Poetry of War and Peace in Wales. The programme of the day will include readings, commissioned lectures, performances and presentations deriving from workshops with different groups across Wales. The project is funded by Cymru’n Cofio Wales Remembers 1914-1918.

For further information, and details on how to apply please visit www.literaturewales.org

Culture Matters

Power Play

Mair De-Gare Pitt’s new collection of poems, with images by Jill Powell.

We are delighted that Jill Powell’s beautiful images have been included in this new collection of poems. It is published on high quality paper that shows the art work at its very best.

Power Play is available for purchase from Culture Matters. Or directly from Jill, price £8.

Here is an extract from the introduction by Jonathan Edwards –

“From its very first poem, its very first line, this collection focuses on the human and, through its brilliant lyricism, elevates the experiences it describes into something like beauty. The collection understands that the real way to political change is by moving people, by getting hold of their hearts, by writing memorably, and the poems do this again and again. Was there ever a more arresting opening line to a collection of poems than ‘Today I am wearing a child’s afternoon’?

In ‘Society,’ the collection opens out to explore a range of subjects. ‘A Minister of Health’ is a powerful poem of protest which reminded me of some of the political writing of Carol Ann Duffy, while ‘Voices from the Great Flood’ is a fabulously ambitious, multi-voiced poem. The collection concludes with a heartbreaking monologue about Grenfell which again shows this poet’s understanding of the importance of putting people front and centre.

This collection is wonderfully illustrated by Jill Powell, the images and poems now endorsing each other, now opening each other up to new possibilities. It’s a great thing to see a publisher putting together a sequence now of beautifully- written, wonderfully produced pamphlets, which seem to be doing something important and different in British poetry.”

Tŷ Newydd Courses 2019

Explore your creativity in Wales’ Year of Discover

www.tynewydd.wales

Literature Wales is proud to announce a new programme of creative writing courses at Tŷ Newydd Writing Centre for 2019. Earmarked by Visit Wales as the Year of Discovery, in 2019 we will encourage the writers of Wales and beyond to visit our home between the mountains and sea to discover their creativity and hone their skills as a writer.

The new programme offers an eclectic mix of courses and retreats suitable for a range of writers, from the up-and-coming and unpublished, to the established who wish to join a masterclass. From today, you can register for all courses on the Tŷ Newydd website, and a discount of 10% is available on all courses until the end of October with the code TN2019.

Programme highlights include a course on writing for TV led by Matthew Hall, the creator of record-breaking BBC Drama Keeping Faith; a Crime Writing Course led by bestselling author and ex-detective Clare Mackintosh; and two Poetry Masterclasses tutored by Gillian Clarke, former National Poet of Wales. A number of noteworthy guest readers will join our tutors during the year, including Rachel Joyce, author of The Unlikely Pilgrimage of Harold Fry, award-winning literary agent Cathryn Summerhayes, and former Guardian theatre critic Lyn Gardner.

Poetry courses in 2019 will explore a range of themes from the sea, to politics, to finding poetry in our past; and feature a wide-range of tutors including Paul Farley, Patience Agbabi, Raymond Antrobus, Deryn Rees-Jones, clare e potter, Inua Ellams and Pascale Petit. Guest readers in 2019 will include Andrew McMillan, Jay Bernard and the spoken word collective, Tongue Fu.

Prose courses will include short stories, novels, YA fiction, myths and fairytales, editing, life-writing and will feature tutors and guest readers Tom Bullough, Rebecca F John, Mavis Cheek, Catherine Fisher, Holly Müller and many more. Our Emerging Writers Course for writers under 30, run in partnership with Poetry Wales, Wales Arts Review and Parthian books, will return after a successful debut last year, and will feature poetry in addition to prose.

Further courses include: LGBTQ+ Writing; Creative Writing for Welsh Learners; Storytelling; Writing to Heal; Reviewing the Arts; and Nature Writing with Guardian country diarist Mark Cocker and poet Kathleen Jamie.

Leusa Llewelyn, Head of Tŷ Newydd said, “Tŷ Newydd, with its unique Welsh welcome, exists to provide support for writers of all backgrounds, abilities and ages to develop their writing. There’s something to suit everyone, and the range of courses offers an opportunity for participants to discover their own writing potential.”

During every course, home cooked meals and treats will be provided by the resident chef, and you will enjoy the tranquillity that Tŷ Newydd and its beautiful surroundings provide.

For further information about Tŷ Newydd, including testimonials from recent participants, and to read the programme in its entirety, visit www.tynewydd.wales or to request a print programme contact Tŷ Newydd: 01766 522811/ [email protected]

MACBETH – DIRECTOR’S CUT

Small World Theatre
November 9 Tachwedd, 8pm
£10

A Radical Classic™ from Volcano

An arresting, untraditional Shakespeare with powerful performances, striking design and sensory surprises! We have stripped back action and character to zoom in on the dynamics of the killer couple, tracking their murderous ambitions, escalating anxieties and disintegrating bonds against a backdrop of sensual pleasure and normalised violence. Expect a boisterous, playful Macbeth with ribald humour and a muscular undertow of menace. This production is ideal for anyone interested in both the play itself and in contemporary performance techniques.

For the second time in its career, Volcano re-invents Shakespeare’s pacy, eloquent tragedy; this time with a new generation of outstanding performers.

“Volcano by name, volcanic by nature, the Swansea company’s psycho serial-killer drama smashes down theatre’s fourth wall, […] moving in and out of Shakespeare’s script in a night of sound and fury signifying plenty.”

Drama Shakespeare mewn arddull hynod, anhraddodiadol gyda perfformiadau pwerus, cynllunwaith trawiadol a syndod i’r synhwyrau! Ry’n ni wedi llacio’r pwyslais ar symud a chymeriad er mwyn canolbwyntio’n sylw ar ddeinameg y pâr llofruddiol, gan ddilyn eu huchelgeisiau dieflig, eu gofidiau cynyddol a datgymaliad y cwlwm rhyngddyn nhw, a hynny yn erbyn cefndir o bleserau’r corff a ‘normalrwydd’ trais. Gallwch ddisgwyl Macbeth hwyliog, llawn egni, a hiwmor amrwd ac is-gerrynt o falais cryf yn gwau drwyddo. Mae’r cynhyrchiad hwn yn un delfrydol ar gyfer unrhyw un sydd â diddordeb yn y ddrama ei hun a thechnegau perfformio cyfoes.

Am yr eildro yn ei hanes, dyma Volcano yn ail-ddyfeisio trasiedi gyflym, huawdl Shakespeare; y tro hwn yng nghwmni cenhedlaeth newydd o berfformwyr arobryn.

volcanotheatre.co.uk

Deadline approaching for proposals for the RawFfest programme

Want to perform at RawFfest? or show a film? or display an artwork? or publish your writing?

We’re looking for work by 14 to 25 year olds.
Less than two weeks to submit your proposals online!

WHAT WE’RE AFTER

RawFfest GŵylGrai showcases the very best of youth arts. This is your chance to apply to be part of the festival at Wales Millennium Centre, 25 -28 Apr 2019

Are you…

  • part of a youth performance group that will have a great show ready for Easter next year?
  • in a band and would love to play at the iconic Wales Millennium Centre?
  • a film-maker with a stunning short film?
  • a photographer, artist or fashion designer and want to exhibit your work?
  • a writer, poet or blogger?
  • a dancer, comic, maker, circus performer…

We’re also looking for professional workshop leaders with original, quirky ideas.
 
To find out more go to our website

HOW TO APPLY

Click through to this form and tell us what you’d like to bring: 

DEADLINE: 6pm, Sunday 28th October 2018

WHAT HAPPENS NEXT

We have a group of about 25 young people who are programming the festival from the work proposed, along with workshops, masterclasses, events etc.  We are likely to get back to you with lots more questions. The core programme will be launched on the website in January 2019. We will then continue to build the programme and make further calls for work.

Poetry Book out now for the 2017 Competition

New Poetry Book available now

It might seem like a long time coming, but finally we have put together the best of the poems on the theme of “Stronger Together” with some of the related artworks – some related by the poet, some by what looked good together. Denni Turp was kind enough to provide us with a Foreword.

There’s no charge for the iBook and you can read it on a Mac, an iPad or an iPhone. Just click the link beneath. 

If you don’t have an iDevices you can read it in PDF format on practically any device. To access the PDF version, click on the Cover Art below and you’ll be taken a page at box.com where you can either download the pdf to your device or read it online. This download is for a web version at 4.2MB, so images are downsampled. There is a full resolution PDF available on request. It’s 37.9MB.

Cover Art for Stronger Together Book

We are happy to provide it in any alternative format to suit your access requirements, e.g. if you want a plan text version with no pictures, just ask [email protected]

We hope you enjoy the book and are already thinking about you entries for poems based on this year’s exhibition theme ‘On the Edge…’